We haven’t mentioned dialogue leveller, ADR tools, foley tools, sound effects, track layers, channel mapping in audio clips… and more. In this article we’ve highlighted just some of the excellent audio features found in Fairlight. Yes, you guessed it, Fairlight has a full compliment of plugins and other tools to cover the tasks, and if they can’t fix things, an extra trick up its sleeve. There’s been a big push in recent years to create audio restoration plugins to help post audio mixers dealing with noisy location recordings, unwanted reverb and reflections and other errant sound in audio. This integration removes the need for additional software or hardware, simplifying the production process.
In summary, DaVinci Resolve Studio provides a comprehensive workflow for Dolby Atmos and other surround formats, from initial import to final output. This means that a Dolby 7.1.4 mix, known for its immersive sound experience, can be adapted for playback on headphones, ensuring the audio is faithfully represented within the limitations of a two-channel system. This versatility enables creators to handle various project requirements within a single unified project space, enhancing efficiency and eliminating the need for multiple software solutions.Įxpanding its Dolby Atmos deliverable toolset, DaVinci Resolve 18 Studio now supports rendering a binaural output from complex Dolby Atmos mixes.
Fairlight in DaVinci Resolve 18 Studio caters to a wide range of audio formats, from mono and stereo to more complex configurations such as 5.1, 7.1, 22.2, and the latest 3D audio formats.
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